A still from âMazhai Pidikkatha Manithanâ
| Photo Credit: Special Arrangement
Director Vijay Milton is back after six years, and the first few minutes of the Vijay Antony-starrer, Mazhai Pidikkatha Manithan, gave the impression that itâs a worthy comeback for both the Vijays. The film starts with a pleasant surprise that itâs a sequel to Vijay Antonyâs Salim (2014), which itself was a sequel to his 2012 film Naan. The quick-paced cuts connect the dots swiftly and bring a sense of familiarity to the protagonist of Mazhai Pidikkatha Manithan from the get-go; but little did we know that they will also happen to be arguably the most fascinating part of the film.
Karthik (Vijay Antony), who had stolen Salimâs identity in Naan and became a doctor in Salim, has become a covert agency agent who lost his friends and his lady love in an ambush on a rainy day. Now, as a man who lost everything in the rain, and bogged down by survivorâs guilt, Karthik attempts to start afresh. With the help of his Chief (Sarathkumar), he reaches the shores of Andaman and finds refuge at an eatery managed by a mother-son duo. But little does our hero know that despite touching land, he is still in troubled waters when he crosses paths with a local loan shark, Daali (Dhananjay).
A man with a past wanting a fresh start away from the horrors of his past, only to be pulled back into it, is a trope thatâs anything but new to Indian cinema. The idea of a double life is something even Vijay Antony himself gave a shot with Pichaikkaran,which turned out to be one of his biggest hits. Be it the drastic change in the protagonistâs life â that comes with the heft of getting accustomed to a new place, new people and new responsibilities â or the mass transformation where he reveals who he really is and what he could possibly do, Mazhai Pidikkatha Manithan faulters everywhere Pichaikkaran triumphed.
Mazhai Pidikkatha Manithan (Tamil)
Director: Vijay Milton
Cast: Vijay Antony, R Sarathkumar, Sathyaraj, Megha Akash, Dhananjaya, Pruthvi Ambaar
Runtime: 133 minutes
Storyline: A man with a bloody past tries to start afresh with a new identity only for trouble to knock on his door once again
Mazhai Pidikkatha Manithan feels like a hodgepodge of several action films featuring such a protagonist. The core idea seems to be cut from the same cloth as The Equalizer films while a yesteryear killer seeking vengeance for his puppy would remind you of a particular film series starring Keanu Reeves. Inspirations are justifiable when used as crutches to support an otherwise interesting tale, not when turned into stretchers expected to carry an insipid plot.
A still from âMazhai Pidikkatha Manithanâ
| Photo Credit:
Special Arrangement
Past the predictable story, it is the shoddily penned characters and scenes that water down this film. We have the damsel in distress in the form of Sowmiya (Megha Akash); a gabby Burma (Pruthvi Ambaar), who gets thrashed often making us feel that the treatment meted out to him is totally worth it; his mother (Saranya Ponvanan), who says the most unrelatable lines in an attempt to sound profound; and of course, the ever-threatening villain (Dhananjaya), whose idea of terror is serving poison flavoured coffee. Even dependable seniors like Sarathkumar and Saranya, and a cameo by Sathyaraj, fail to save the film from the shallow waters of mediocre writing.
The streaks of potential you see now and then, sadden you further. In a scene, Daaliâs ego is bruised after an encounter with a dubious cop (Murali Sharma) but that sub-plot leads nowhere. The triangular love story between the three primary characters doesnât feel organic. A bit more information on the agency headed by Captain (Sathyaraj) would have added more value to the backstory; instead, the film settles on putting him in expensive clothes, placing him in an embellished underground lair and making him say something along the lines of the actorâs iconic âThagudu, thaguduâ lines.
The filmâs title tells you of the poetic feel the makers have gone for, and itâs quite dramatic to place a character with an aversion towards rain on an island surrounded by water, but Mazhai Pidikkatha Manithan fails to capitalise on these tropes. What we are left with is a painfully formulaic plot riddled with uninteresting characters and unsurprising happenings that are sure to rain on your parade.
Mazhai Pidikkatha Manithan is currently running in theatres